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aadhyaatmika praSnalu

Buddha was the first man who dared to say:- Believe not because some old manuscripts are produced,beleive not because it is your national belief,because you have been made to beleive it from your child hood; BUT(read carefully) Reason it all out,and after you have analysed it, then,if you find that it will do good to one and all, believe it, live up to it,and help others.

Posted by: Mrs. shaloo At: 18, May 2006 1:15:06 PM IST

vindhya me^ru parvataala kadha gurtuki vastundi mi^ iddari sambhaashanalu.... manchi kaalakshe^pamu...kaani^yanDi....evaru ku^Daayaa vyaktigatam..ti^suko^kanDi...iddariki Saastraalapai....ma andarikanTe ento^ konta avagaahana unnavaaLLe.....sare^ edo^ oka saiTulo^ nunna vishayaalanu ikkaDiki techchi Paste cheyyaTaaniki ku^Daa vishaya parijNjaaNamunDaali A panini haasya brahma gaaru che^stunnaaru...kaakapo^te ardhamu che^sikoni...tarkinchaTam...mi^ iddaru siddha hastulu....

Posted by: Mr. Bhaskar At: 18, May 2006 12:32:08 PM IST

Sakti is Chidrupini. She is pure, blissful Consciousness. She is the Mother of Nature. She is Nature itself. She is power of Lord Siva or Brahman. She runs this world-show. She maintains the sportive play or Lila of the Lord. She is Jagat-Janani (creator of the world), Mahishasuramardini (destroyer of Mahishasura) Bhranti-nasini (destroyer of illusion or Avidya), and Daridrya-nasini (destroyer of poverty). Devi is Sakti of Lord Siva. She is Jada Sakti and Chit Sakti. She is Iccha Sakti, Kriya Sakti and Jnana Sakti. She is Maya Sakti. Sakti is Prakriti, Maya, Mahamaya, Sri Vidya. Sakti is Brahman itself. She is Lalita, Kundalini, Rajesvari, Tripurasundari, Sati and Parvati. Sati manifested to Lord Siva in the ten forms as the Dasa Maha Vidyas, viz., Kali, Bagalamukhi, Chinnamasta, Bhuvanesvari, Matangi, Shodasi, Dhumavati, Tripurasundari, Tara and Bhairavi. Worship of Sakti or Saktism is one of the oldest and most widespread religions in the world. Everybody in this world wants power, loves to possess power. He is elated by power. He wants to domineer over others through power. War is the outcome of greed for power. Scientists are followers of Saktism. He who wishes to develop will-power and charming personality, is a follower of Saktism. In reality, every man in this world is a follower of Saktism. Scientists say now that everything is energy only and that energy is the physical ultimate of all forms of matter. The followers of the Sakta school of philosophy have said the same thing, long ago. They further say that this energy is only a limited manifestation of the Infinite Supreme Power of Maha Sakti. Sakti is always with Siva. They are inseparable like fire and heat. Sakti evolves Nada and Nada Bindu. The world is a manifestation of Sakti. Suddha Maya is Chit Sakti. Prakriti is Jada Sakti. Nada, Bindu and the rest are only names for different aspects of Sakti. The countless universes are only dust of Divine Mother’s holy feet. Her glory is ineffable. Her splendour is indescribable. Her greatness is unfathomable. She showers Her grace on Her sincere devotees. She leads the individual soul from Chakra to Chakra, from plane to plane and unifies him with Lord Siva in the Sahasrara. The body is Sakti. The needs of the body are the needs of Sakti. When a man enjoys, it is Sakti who enjoys through him. His eyes, ears, hands and feet are Hers. She sees through his eyes, hears through his ears. Body, mind, Prana, egoism, intellect, organs and all the other functions are Her manifestations. Saktism speaks of personal and the impersonal aspects of Godhead. Brahman is Nishkala or without Prakriti and Sakala or with Prakriti. The Vedantin speaks of Nirupadhika Brahman (Pure Nirguna Brahman without Maya) and Sopadhika Brahman (with Upadhi or Maya) or Saguna Brahman. It is all the same. Names only are different. It is a play of words or Sabda Jalam. People fight on word only, carry on lingual warfare, hair-splitting, logical chopping and intellectual gymnastics. In reality the essence is one. Clay is the truth. All the modifications such as pot, etc., are in name only. In Nirguna Brahman, Sakti is potential, whereas in Saguna Brahman, it is kinetic or dynamic. The basis of Saktism is the Veda. Saktism upholds that the only source and authority (Pramana) regarding transcendental or supersensual matters such as the nature of Brahman, etc., is Veda. Saktism is only Vedanta. The Saktas have the same spiritual experience as that of a Vedantin. The Devi-Sukta of the Rig-Veda, the Sri-Sukta, Durga-Sukta, Bhu-Sukta and Nila-Sukta, and the specific Sakta Upanishads such as Tripuratapini Upanishad, Sitopanishad, Devi Upanishad, Saubhagya-Upanishad, Sarasvati Upanishad, Bhavanopanishad, Bhavrichopanishad, etc., emphatically declare about the Mother-aspect of God. The Kena Upanishad also speaks of Uma (Haimavati) who imparted wisdom of the Self to Indra and the Devas. Divine Mother is everywhere triple. She is endowed with the three Gunas, viz., Sattva, Rajas and Tamas. She manifests as Will (Iccha Sakti), Action (Kriya Sakti) and Knowledge (Jnana Sakti). She is Brahma Sakti (Sarasvati) in conjunction with Brahma, Vishnu Sakti (Lakshmi) in conjunction with Lord Vishnu, and Siva Sakti (Gauri) in conjunction with Lord Siva. Hence She is called Tripurasundari. The abode of Tripurasundari, the Divine Mother is called Sri Nagara. This magnificent abode is surrounded by twentyfive ramparts, which represent the twentyfive Tattvas. The resplendent Chintamani palace is in the middle. The Divine Mother sits in the Bindu Pitha in Sri Chakra in that wonderful palace. There is a similar abode for Her in the body of man also. The whole world is Her body. Mountains are Her bones. Rivers are Her veins. Ocean is Her bladder. Sun and moon are Her eyes. Wind is Her breath. Agni is Her mouth. The Sakti enjoys Bhukti (enjoyment in the world) and Mukti (liberation from all worlds). Siva is an embodiment of Bliss and Knowledge. Siva Himself appears in the form of man with a life—mixture of pleasure and pain. If you remember this point always, all dualism, all hatred, jealousy, pride will vanish. You must consider every human function as worship or a religious act. Answering calls of nature, talking, eating, walking, seeing, hearing, become worship of Lord, if you develop the right attitude. It is Siva who works in and through man. Where then is egoism or individuality? All human actions are divine actions. One universal life throbs in the hearts of all, sees in the eyes of all, works in the hands of all, hears in the ears of all. What a magnificent experience it is, if one can feel this by crushing this little ‘I’! The old Samskaras, the old Vasanas, the old habits of thinking, stand in the way of your realising this experience—Whole. The aspirant thinks that the world is identical with the Divine Mother. He moves about thinking his own form to be the form of the Divine Mother and thus beholds oneness everywhere. He also feels that the Divine Mother is identical with Para Brahman. The advanced Sadhaka feels: “I am the Devi and the Devi is in me”. He worships himself as Devi instead of adoring any external object. He says: “Sa-aham—I am She (Devi)”. Saktism is not a mere theory or philosophy. It prescribes systematic Sadhana of Yoga, regular discipline, according to the temperament, capacity and degree of evolution of the Sadhaka. It helps the aspirant to arouse the Kundalini and unite Her with Lord Siva and enjoy the Supreme Bliss or Nirvikalpa Samadhi. When Kundalini sleeps, man is awake to the world. He has objective consciousness. When She awakes, he sleeps. He loses all consciousness of the world and becomes one with the Lord. In Samadhi, the body is maintained by the nectar which flows from the union of Siva and Sakti with Sahasrara. Guru is indispensable for the practice of Sakti Yoga Sadhana. He initiates the aspirant and transmits the divine Sakti. Physical contact with a female is gross Maithuna. This is due to Pasu Bhava or animal disposition or brutal instinct. Mother Kundalini Sakti unites with Lord Siva in Sahasrara during Nirvikalpa Samadhi. This is real Maithuna or blissful union. This is due to Divya Bhava or divine disposition. You must rise from Pasu Bhava to Divya Bhava, through Satsanga, service of Guru, renunciation and dispassion, discrimination, Japa and meditation. Worship of the Divine Mother with intense faith and perfect devotion and self-surrender will help you to attain Her grace. Through Her grace alone, you can attain knowledge of the Imperishable. Glory to Tripurasundari, the World-Mother, who is also Raja-Rajesvari and Lalita Devi. May Her blessings be upon you all!

Posted by: Mr. Hasya Brahma At: 18, May 2006 11:41:25 AM IST

namaste^ mu^rtigaaru naakunnavi renDe^ renDu aiDi^lanDi okaTi himaanjali maa ammaayi pe^ru renDavadi navani^tam anTe venna anTe iTTe^ karagi po^tundi maanaayanamma anTe naaku chaalaa ishTam maanaayanammaki gurtugaa navani^tam ani aiDilo^ peTTaanu naaku venna anTe chaalaa ishTam maanaayanamma pratiro^ju majjika chiliki neyyiko^sam venna daache^di ne^nu sku^lu nunDi raagaane maanaayanamma chu^Da kunDaa vennani tine^di okaro^ju paTTubaDDaanu A ro^jununDi naaku venna ishTamani pratiro^ju oka kappulo^ ve^si venna ichche^di adi sangati...naaku ve^re^ aiDilu le^vanDi mu^rtigaaru....mariyu ilaanTi adhyaatmika vishayaalapai antagaa parijNjaaNamu ku^Daale^danDi....telisiko^vaTaaniki...postings chaduvutunTaanu...antenanDi

Posted by: Mr. Bhaskar At: 18, May 2006 11:36:23 AM IST

Philosophy of Abhisheka Salutations and adorations to the blissful Lord Siva, the lover of Uma or Parvati, the Lord of all beings (Pasupati). “Alankarapriyo Vishnuh, Abhishekapriyah Sivah—Lord Vishnu is very fond of Alankara (fine dress, beautiful ornaments, etc.); Siva is fond of Abhisheka.” In Siva temples, a pot made up of copper or brass with a hole in the centre is kept hanging over the image or Linga of Siva, and water is falling on the image throughout day and night. Pouring over the Linga, water, milk, ghee, curd, honey, cocoanut water, Panchamrita, etc., is Abhisheka. Abhisheka is done for Lord Siva. Rudra is chanted along with the Abhisheka. Lord Siva is propitiated by Abhisheka. Lord Siva drank the poison that emanated from the ocean and wore the Ganga and moon on His head to cool His head. He has the fiery third eye. Constant Abhisheka cools this eye. The greatest and the highest Abhisheka is to pour the waters of pure love on the Atmalinga of the lotus of the heart. The external Abhisheka with various objects will help the growth of devotion and adoration for Lord Siva and eventually lead to internal Abhisheka with pure abundant flow of love. Abhisheka is a part of Siva Puja. Without Abhisheka, worship of Siva is incomplete. During Abhisheka Rudra, Purushasukta, Chamaka, Maha-mrityunjaya Japa, etc., are chanted in a particular rhythm and order. Monday is very important day for Lord Siva and the thirteenth day of the fortnight (Pradosha) is very sacred. On these days, devotees of Siva worship Him with special Puja, Abhisheka with Ekadasa-Rudra, Archana, offering plenty of Prasad, and illumination. In Ekadasa-Rudra Abhisheka, every Rudra is chanted with distinctive articles for Abhisheka. Ganga water, milk, ghee, honey, rose-water, cocoanut water, sandal paste, Panchamrita, scented oil, sugarcane juice and lime juice are made use of for Abhisheka. After every Abhisheka, pure water is poured over the head of Siva. When Rudra is repeated once, the different articles of Abhisheka are made use of after every stanza of the Rudra. The Abhisheka water or other articles used for Abhisheka are considered very sacred and bestow immense benefits on the devotees who take it as the Lord’s Prasad. It purifies the heart and destroys countless sins. You must take it with intense Bhava and faith. When you do Abhisheka with Bhava and devotion, your mind is concentrated. Your heart is filled with the image of the Lord and divine thoughts. You forget your body and its relation and surroundings. Egoism gradually vanishes. When there is forgetfulness, you begin to enjoy and taste the eternal bliss of Lord Siva. Recitation of Rudra or Om Namassivaya purifies the mind and fills it with Sattva. If you do Abhisheka with Rudrapatha in the name of a person suffering from any disease he will be soon freed from that disease. Incurable diseases are cured by Abhisheka. Abhisheka bestows health, wealth, prosperity, progeny, etc. Abhisheka on Monday is most auspicious. By offering Panchamrita, honey, milk, etc., to the Lord, thoughts of your body diminish. Selfishness slowly vanishes. You derive immense joy. You begin to increase your offerings unto the Lord. Therefore, self-sacrifice and self-surrender come in. Naturally, there is an outpouring from your heart, “I am Thine, my Lord. All is Thine, my Lord”. Kannappa Nayanar, a great devotee of Lord Siva, a hunter by profession, did Abhisheka with the water in his mouth for the Linga at Kalahasti in South India and propitiated Lord Siva. Lord Siva is pleased by pure devotion. It is the mental Bhava that counts and not the outward show. Lord Siva said to the temple priest: “This water from the mouth of Kannappa, my beloved devotee, is more pure than the water of the Ganga”. A devotee should be regular in doing Abhisheka for the Lord. He should get by heart Rudra and Chamakam. Ekadasa Rudra is more powerful and effective. In Northern India, every man or woman takes a lota of water and pours it on the image of Siva. This also causes beneficial results and brings about the fulfilment of one’s desire. Abhisheka on Sivaratri day is very effective. May you all recite Rudrapatha which describes the glory of Lord Siva and His manifestations in every living being, in every animate and inanimate being! May you do Abhisheka daily and thus obtain the grace of Lord Siva! May Lord Visvanatha bless you all!

Posted by: Mr. Hasya Brahma At: 18, May 2006 11:32:45 AM IST

Parvati In Hinduism, Parvati (alt. spellings: Paarvati, Parvatti) is an alternate form of Shakti or Durga. She is named Pārvatī as a Sanskrit convention, to be understood as 'the daughter of the mountain': Parvata is Sanskrit for "mountain". She is married to Shiva, the Hindu God of Destruction. Shiva and Parvati are the parents of Karttikeya and Ganesha, the elephant-headed god of wisdom. Parvati's parents are the mountain god Himalaya and the goddess Menā. Swayamvara parvathy Homa Dedicated to Goddess Parvathi Devi. The worship of a chosen deity is indispensable for any person in attaining ones desires. Even though God is one, ancient seers have given us various forms of worship for the upliftment of ordinary mortals. Among these various forms of worships, most prominent is that of Shakti or the Divine Mother. The divine mother took the incarnation of Goddess Parvati Devi in order to get married to Lord Shiva. None other than Lord Shiva himself gave the Swayamvara Parvati mantra to Goddess Parvati Devi. This enabled her to reunite with her divine consort. By performing the Swayamvara Parvati homa, various obstacles that delay any marriage are removed. The eligible bride or groom is blessed with suitable spouse.

Posted by: Mr. Hasya Brahma At: 18, May 2006 11:21:31 AM IST

Posted by: భాస్కర్. బి At: 18, May 2006 10:53:05 AM IST bhaaskar jI . pOshTingulu baagaanE vunTE mIru chadivi anusarinchanDi. anupamagaari enni varshaalu vachchinaa naamEruparvatamu vale niSchala tatvam mIda EmI prabhaavam chuupalEvu. ayinaa naa suuktulu aaviDagaariki akkaralEkapOyinappuDu nEnenduku samaadhaanaalu cheppaali.

Posted by: Mr. HAYAGREEVA MURTY Rachuri At: 18, May 2006 11:16:48 AM IST

Lord Shiva - The Dancer Who Recreates None gave him birth, He knows no Lord. None rules Him in the world, nor yet controls. No features mark Him out, yet cause He is. Prime cause of that which steers, the senses five, the soul within.” Shvetashvattara Upanishad. Shiva! The name, the word itself seems to come with so much aplomb to the Hindu mind. Images flood the mind’ eye. The savage one; The handsome one. The fierce one; The ardent lover of Parvati. One who wears snakes for ornaments; One who holds the Ganges on his head. One who destroys; One who dances. Wearer of leopard skin; Wielder of cymbals. One with long matted hair; One who wears the moon on his head! Worshipped in the form of a phallic symbol; Worshipped for the power of his third eye… I could go on endlessly. Abandon for a moment, if you can, the truth that you are reading about a deity, a religious figure in the Hindu pantheon and look at Shiva for himself. Every time I encountered him in the pages of one Purana (ancient text) or the other or in the stories of my grandmother, the came through as a wonderful majestic man, not polished and sophisticated like Vishnu, not ornamented and decorated as Vishnu, but a man whose every cell speaks, whose every moment makes the history of time. His characterization is so cogent and integrated through texts over centuries found across the length and breadth of India that it is amazing. It is real. If you wonder why that should be amazing, it is because historically, the story of Shiva is fragmented. Historians and indologists trace the beginnings of the idea of Shiva to very very early in history. He was the deity of the Harappa civilization. The bull inscribed on the coins of Harappa is in fact, they say, symbolic of Shiva’s mount. He was worshipped in the form of Pasupathi, the Lord of animals. Researchers even go as far as finding parallels between Sumerian civilization and their pantheon which has counterparts of Siva and the Lady of the Mountains, Parvati, Shiva’s consort. So Shiva, going by the antiquity of his worship, must have been present long before creation. It is therefore they say that the Dravidian God is Shiva. He has always been Siva. Around the beginning of this millennium, it is said there was a revival of Saivism and the power of Shiva. By then the idea of Shiva had built into the vedic texts too. He is identified with Rudra in the Rig Veda. Various texts give different versions of his creation and each one they say is symbolic of his many facets. He, Shiva, is the one who has conquered time, for He destroys and re-creates. He, Shiva, is white in colour for white stands for justice in acts of annihilation. He, Shiva, is the one who has conquered death and historically his resurgence from the Pre-Aryan period to the present day obsession is one way of looking at it. The Rig Vedic story begins with the Gods watching an incest about to take place. The father of creation is desirous of his own daughter. At that time, the gods chant the sacred word. The power of the sacred word. The power of the sacred word is immense. There appears before them an archer Sharva, the raudra (the angry one). The archer aimed and shot, putting a stop to the act. Time and with it the universe had been set into motion with the flight of the arrow in Space. There, the passionate father was still in pursuit of his daughter. The gods hung their heads in shame while the hunter let out a wild cry. There he got his name Rudra where rud means to cry. To appease him the father gave him the kingdom of animals. “Be Pasupathi, the lord of animals,” he said. But Pasupathi, in his new form was still with single purpose. He shot another arrow and the seed of the father flowed down on earth and all creation sprung. Another story says the Lord of all beings was a householder and of his wife Usha was born a child. The child kept crying so the father questioned him as to why he cried. He said he cried for the want of a name. The father was quick to name him if that could bring some quiet and he was called Rudra, from the rot word rud which means, to cry. The Linga Purana has yet another version to relate. According to this story, Brahma, the creator had five mind-born sons. Many fathers may be able to sympathize with Brahma, for the father of creation too was dissatisfied with his sons. None of them showed any promise, the typical progenitor felt. He contemplated on Siva for solution. Siva himself appeared and told him He was his son. Siva then assumed the ardhanareeswara form. The ardhanareeswara is yet another concept that Shiva stands for. In this aspect he draws the feminine into his own self. He is half man, half woman. A symbol of the Samkhya philosophy which talks of Purusha (the male energy) and Prakriti (the female energy) together making the cosmic energy. As Ardhanareeswara, Shiva destroys the old, for in destruction there is renewal, it cleanses and constructs anew. In this new construction, he is the Father of Brahma. And the cycle of time, the process of recreation begin all over again. Shiva the auspicious one, is also known as Ashtamurti and here is yet another myth that tells you of his manifestation thus. If the number of stories on Shiva’s birth are discomfiting, remember you are not the only one, there is a constant struggle to understand them by many because our mind can think only of linear progress of time as moving forward. But here many cycles seem to be described. Researchers also say, each birth, as we ourselves find now, is symbolic of one attribute of Shiva. The happening itself is not as important as the symbolism within it. In Hindu mythology, there are many stories that switch the position of the primal creator between the three most important deities: Brahma Vishnu and Shiva, the triad, reaffirming as it were, the equal importance of creation, preservation and dissolution. Story goes Brahma sat in deep meditation holding all his vital energies and from the sound of Om that he held close to his heart, emerged Shiva He came out of Brahma’s forehead. He stood before him as Ashtamurti that is displaying all his eight manifestations, He was in fact the Vishwarupa or the universe for he had the heaven as his head, the quarters as ears, the sun, moon and fire as eyes, the sky as umbilicus, the winds blowing at his feet and was clothed in the oceans. He wore for ornaments the constellations. In this version is the beginning and the end. He is all. The description of his eyes as fire bring another mythological association where Siva is held almost synonymous with Agni or fire. He is the Trinetra or the one with three eyes, the third eye being all fire. In successive kalpas, or age, Shiva donned five roles. The five-form concept later took shape as the Panchamukha Shiva or Five faced Shiva with each face given a direction – the dimension of space had thus been added to the dimension of time. As Sadyojata he faced East, as tatpurusha he faced north, as Aghora he faced west and as Ishana he faced south. As Sadesiva (Eternal Shiva) he was looked above; symbolic of him being above all space. In the Linga Purana, Vishnu described Sabasiva as a pillar where the Ishana was the crown, Tatpurusha, the face, Aghora the heart and Vamadeva his sex organ and Sadyojata as his feet. The metaphor had been gathered into a manageable symbol and while many other stories exist for the worship of the phallic symbol of Shiva, this was the beginning. A story is told located at the legendary ashram of Daruvana. Today some say it is the same place as where the Jageswar temple in Almora stands on the lower Himalayas. Here, some sages were engaged in penance. To test their dedication, Shiva began dancing in the forests. The wives of the sages who had gone to collect firewood remained transfixed. At sundown when the sages cam in search of their wives and caught sight of a man dancing to the joy of their wives, they cursed him, not knowing he was Shiva himself. By the curse, his penis fell to the ground and rose with the brilliance of fire in both directions. The earth trembled and Vishnu and Brahma came to look for solutions. They each went south and north respectively in search of its end, but could not find it; symbolizing both infinity in space and eternity in time. Shiva was then accepted as Supreme by both Brahma and Vishnu and he withdrew. (Being of the same rank, there are many stories on the quarrels and disputes between Shiva and Vishnu, their assertion of superiority one over another is a debate even today amongst their followers!) Shiva married twice, once the granddaughter of Brahma, named Sati and then Sati again when she was reborn as Parvati, the daughter of the King of the Himalayas, Daksha. He had two sons, Ganesa and Kartikeya. One of the derivations of the word Rudra denotes running and constant movement, the pulsation of life, its steps. Therefore Shiva is also perceived as the Cosmic dancer, Nataraja. The magnificent Nataraja who dances though life has won many a hearts and imaginations. Many temples have been built to the Lord Nataraja across Kanakasabha (golden hall) at the temple of Chidambaram. Of Shiva, one can not write and stop. There are sixty-four lilas or sports in which he is said to have partaken and infinite stories from his tumultuous marriage to his drinking of the poison during the famous incident in Hindu mythology of the churning of the ocean. Through all the myths Shiva emerges the same, powerful, impulsive, angry, frightening, charming, one who holds the damru (drum) either sides of which makes our night and day and one whose ankle bells are the source of all sound. To write on Shiva is as continuous a process as the idea of Shiva himself.

Posted by: Mr. Hasya Brahma At: 18, May 2006 11:13:44 AM IST

Posted by: Mrs. Anupama K At: 18, May 2006 4:12:28 AM IST bhuvanESvar charlaa kaadu challaa. ambhraNI suuktaanni SrIdEvI suuktamani kooDaa anTaaru. idi lakshmIdEviyE gaani anyulu kaaru. challaa vaarichchina saiTulalO kooDaa nijaaniki viruddham gaanE vunnaayi. daanini anuvaadam chEsinadi “ Hymns of the Rig veda translated by Ralph T.H. Griffith 1889. “ manadESam lO panDitulE karuvaa? mahishaasura mardini SrIdEvi okkaru kaadu. SrIdEvi akshara. naaSanamu lEnidi. chaturmuKa brahma , kailaasapati ayina rudrunikanTe adhikamaina Sakti kaladi. mahishaasuramardini avataaram sRushTijarigi chaalaa taruvaata ayindi. sari ayina artham nEnu vivarinchadalachalEdu. intakumunupu nEnichchina telugu lO arthaaniki aanglaanuvaadaalakI vunna tEDaa telusukuni yadaarthajNjaanam telusukOvaalani evarainaa manasphuurtigaa aaDugutE pOshTu chEstaanu. lEka pOtE anavasara hELanalu enduku?

Posted by: Mr. HAYAGREEVA MURTY Rachuri At: 18, May 2006 11:12:05 AM IST

Posted by: Mr. Hasya Brahma At: 18, May 2006 10:40:11 AM IST // Many of the asurAs worship Lord shiva and get boons as observed in the purANAs. Whereas very few of them worship the other divines. Why is it so ? Why should the God show grace to asurAs ? // annamantaa paTTi chuuDakkaralEdu. konni konni chuustE chaalu. bhasmaasuruDu E vuddESyamutO tapassu chEstunnaaDO teliyakunDaanE vaaniki varaalichchi tana praaNam mIdaku techchukunnadi SivuDE kadaa!( kailaasapati). appuDu parigeDutunTE rakshinchinadi evaraTa? vishNuvu kaadaa( mOhinI avataaramutO) . aa bhasmaasuruDu umaadEvi andamu chuusi mOhituDai, SivuDu chanipOtE umaadEvini chEpaTTavachchu ani duruddESyamutO tapassu chEsina vaaDiki varaalichchE bhOLaaSankaruDu paramaatmaa? baaNaasuruDiki 1000 chEtulu. SivuDu rakshistunnaa kooDaa vaani chEtulannI (renDutappa) KanDinchinadi evaraTa? SrIkRushNuDu kaadaa! I renDU chaalu haasyabrahma pOshTingulu chadavakkaralEdanaDaaniki

Posted by: Mr. HAYAGREEVA MURTY Rachuri At: 18, May 2006 11:06:54 AM IST

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