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General Forum: Religion | | aadhyaatmika praSnalu | |
| TQ Bhaskar.B
Lord Shiva - God Of All
(Shaivam A Perspective)
Many of the asurAs worship Lord shiva and get boons as observed in the purANAs. Whereas very few of them worship the other divines. Why is it so ? Why should the God show grace to asurAs ?
Lord shiva is the Supreme, Which does not have any parents Which never takes birth Which is all alone without association with any of the creatures or creations enjoying in the Self. God is the only one Who is dependable for anybody / anything to surrender to as It is the only perennial Being. Hence God is the Lord of all creatures (lives/souls). For this reason the Lord is hailed as pashupati (Lord of living beings). Whether it is devas or asuras or humans or other creatures all are pashus. That being the case how could the Lord be partial to one section of pashus and withdrawing the Grace for the other ? So anybody who worships the Lord sincerely could get blessed with Its Grace irrespective of the caste, creed, race, power, status and qualities.
It is in fact to be noted that Lord shiva is worshipped by the devas like viShNu, braHma, indra, by asuras like bANa, rAvaNa, tripura, sUrapadma, by humans like sha~Nkara bhagavatpAda, samban^dhar, appar, by other creatures like jaTAyu, sampAdi (eagles), vAli (monkey) and the list goes on and on. One finds in the purANas the variety of people of different backgrounds and qualities worship the Lord shiva. There are many histories of temples which talk of the cranes, bees, elephants, spiders, snakes worshipping the Lord and getting blessed. So the Lord as the Supreme blesses anyone who worships in sincere devotion. There is no discrimination on who the seeker is. The Lord is so merciful that He showers the boons one look for when there is a determination to seek Him. It is evident from the history of asura bANa who attained a great fame of his valor and got the place in the abode of Lord shiva all due to his determined worship of the Lord.
But..., if the receiver of the boons does not use them in proper way and misuses to disturb others, in the Lord defined system of this universe they get punished for the misdeeds. A closer analysis would show that the devas are the divine elements of nature that are essential for all of us to survive (like air, sun, fire etc). Very often asuras are the one who disturb the nature as evident from purANas. So when the asuras misuse the boons got to disturb the other lives they get punished as evident from the histories of hiraNya, rAvaNa and others. When the misuse goes beyond a point by the powerful forces so as to question the existence of the whole system, the Lord the One Who is essential for all the essentials, Who has devised this whole Universe, takes the action to restore normalcy for example like tripura dahana.
Lord shiva is the God of all. Like the mother He showers the grace for all the children, but the misusing children get punished. This Supreme Lord better than a mother does not withhold the grace, He is our beloved pashupati.
Posted by: Mr. Hasya Brahma At: 18, May 2006 10:40:11 AM IST
All of you read it good stuff very good posting
Posted by: Mr. Bhaskar At: 18, May 2006 10:18:56 AM IST
Dakshinamurti
On the Mount Kailas, with Parvati Devi by His side, Lord Siva was sitting in a hall beautifully decorated by precious stones. At that time, Devi worshipped the Lord and requested Him to alter the name of Dakshayani given to her before, for being the daughter of Daksha. This Daksha was killed by Lord Siva for his disrespect and arrogance. On hearing this request Lord Siva ordained that Devi should be born as the daughter of Parvata Raj who was doing rigorous Tapas for getting a child. He also told Parvati that He would come over to her and marry her. Thus ordained, Parvati Devi was born as the child of Parvata Raj and since her fifth year, began to do rigorous Tapas for being the bride of Lord Siva.
During the absence of Devi, when Lord Siva was alone, the sons of Brahma, who are sages Sanaka, Sanandana, Sanatana and Sanatkumara, came to have Darsana of Lord Siva and prostrated before Him. They entreated the Lord to teach them the way to remove Avidya and attain salvation. They expressed that in spite of the vast study of scriptures they had no internal peace and they were in need of learning the inner secrets, by knowing which they could attain salvation.
Lord Siva, hearing this appeal made by the sages, assumed the form of Dakshinamurti and remaining as the Guru Supreme, began to teach them the inner secrets by keeping Mouna and showing the Chinmudra by His hand. The sages began to meditate on the lines shown by the Lord and attained the state of inexpressible and illimitable joy. Thus Lord Siva came to be known as Dakshinamurti. May the blessings of Lord Dakshinamurti be upon us all! May you all dive deep and enjoy the everlasting Peace and Bliss through His Grace!
Posted by: Mr. Hasya Brahma At: 18, May 2006 9:49:28 AM IST
Sakti Energises the Trimurtis
O Lord Siva! Silent adorations unto Thee! Thou art the only refuge, the only object of adoration, the one Governor of the Universe, the self-effulgent Being. Thou art the creator, preserver and destroyer of the universe. Thou art the Highest, the Immovable, the Absolute.
Sakti is the energy or the vital power that makes any activity possible. When a man does any work he does it only by virtue of his Sakti. If he is unable to do the work he says that he has no Sakti to do that work. Hence Sakti is that which enables one to work. Sakti is Devi. Sakti is the Divine Mother. Mind is Sakti. Prana is Sakti. Will is Sakti.
Devi Bhagavata deals with the forms of Prakriti. Devi took the Trimurtis to Her abode in Manidvipa, gave them their consorts Sarasvati, Lakshmi and Parvati and sent out for the life of universe in the new Kalpa.
Lord Narayana created Brahma from His navel. Brahma did not know what to do. Vishnu and Siva also did not know how to set going the life of a new universe in a new Kalpa after the dissolution. They were lifted in a Vimana or celestial car and they soon reached a strange region where they were transformed into women. They were in a land of women headed by Devi. It was Manidvipa in the Sudha Samudra, the ocean of nectar. The newly made women stayed there, for a hundred years. They did not know who they were, why they were there and what they were to do.
Then they were put in the company of men and they themselves became men. They were coupled, Brahma with Sarasvati, Vishnu with Lakshmi and Siva with Parvati. They found themselves at once in their original place and they knew what to do. They understood their functions. The Trimurtis attain Sakti through association with the Devi.
Parvati is the Sakti of Lord Siva who bestows Jnana and Mukti on men. Lakshmi is the Sakti of Vishnu who gives prosperity to the people. Sarasvati is the Sakti of Brahma who creates the world. Radha is the Sakti of Lord Krishna who leads humanity to Mukti through Bhakti.
May Sakti bless you all with Sakti!
Posted by: Mr. Hasya Brahma At: 18, May 2006 9:45:47 AM IST
Siva and Parvati
O Devi! all auspicious one, giver of success and prosperity, we bow to Thee! Shower peace and amity on this earth and protect us ever more by Your kind compassion at a glance!
The daughter of the king of Parvatas, Himavan is Parvati. She is the wife or Sakti of Lord Siva. She is the matrix of the universe. She is the revealer of Brahman. She is not only Loka-Mata or World-Mother but also Brahma-Vidya. One of Her names is Sivajnana-Pradayini. She is also called Sivaduti, Sivaradhya, Sivamurti and Sivankari.
The grace of Devi is an indispensable factor for the attainment of God-realisation. Parvati or Sakti is all-in-all. You must rouse the Sakti by Yoga. Then the grace of Sakti will lead you to God-realisation and the attainment of the final emancipation and the achievement of infinite, eternal supreme bliss.
The glorious story of Parvati is related in detail in the Mahesvara Kanda of the Skanda Purana. Sati, the daughter of Daksha Prajapati, the son of Brahma, was wedded to Lord Siva. Daksha did not like his son-in-law on account of His queer form, strange manners and peculiar habits. Daksha performed a sacrifice. He did not invite his daughter and son-in-law. Sati felt the insult and went to Her father and questioned him. He gave Her a displeasing reply. Sati got enraged at this. She did not want any more to be called his daughter. She preferred to offer Her body to fire and to be born again as Parvati to marry Siva. She created fire through Her Yoga’s power and destroyed Herself in that Yogagni.
Lord Siva sent Virabhadra. He destroyed the sacrifice and drove away all the Devas who assembled there. The head of Daksha was cut off and thrown into the fire. Lord Siva had a goat’s head stuck to the body of Daksha at the request of Brahma.
Lord Siva repaired to the Himalayas to do austerities. Asura Taraka had a boon from Brahma that he should die only at the hands of the son of Siva and Parvati. Therefore the Devas requested Himavan to have Sati as his daughter. Himavan agreed. Sati was born as Parvati, the daughter of Himavan. She served Lord Siva during His penance and worshipped Him. Lord Siva married Parvati.
Narada proceeded to Kailasa and saw Siva and Parvati with one body, half male, half female in the form of Ardhanarisvara. He wanted to see their play at dice. Lord Siva said He won the game. Parvati said that She was victorious. There was a quarrel. Siva left Parvati and went to practise austerities. Parvati assumed the form of a huntress and met Siva. Siva fell in love with the huntress. He went with her to her father to get his consent for the marriage. Narada informed Lord Siva that the huntress was Parvati. Narada told Parvati to apologise to Her Lord. They were reunited.
Siva assumed the form of Arunachala hill as a Linga. He subdued the pride of Brahma and Vishnu who were quarrelling as to their relative greatness. Arunachala is a Tejolinga. Parvati saw Siva as Arunachala-Isvara. Siva took Parvati back to His side and made Her again Ardhanari.
Asura Taraka greatly oppressed the Devas. Mahi-Sagara-Sangama-Kshetra was his capital. Lord Subrahmanya, the second son of Parvati, killed the Asura on the seventh day after his birth.
Parvati created a child with the face of an elephant for Her pleasure. He was Lord Ganesa. He was made the Lord of all creatures to remove their obstacles. One day Lord Siva offered a fruit saying that it would be given to that child who would go round the world first. Lord Subrahmanya proceeded on a tour round the world. Lord Ganesa went round His father Siva, the Maha Linga who enveloped the whole universe, and got the fruit.
Parvati had a dark skin. One day Lord Siva playfully referred to Her dark colour. She was much touched by Siva’s remark. She went to the Himalayas to perform austerities. She attained a beautiful complexion and came to be called Gauri. Gauri joined Siva as Ardhanarisvara by the grace of Brahma.
One day Parvati came behind Lord Siva and closed His eyes. The whole universe lost life and light. Siva asked Parvati to practise austerities in order to make amends for Her folly. She proceeded to Kanchi (Kanjivaram) and did rigorous penance. Lord Siva created a flood. The Siva Linga which Parvati was worshipping was about to be washed away. She embraced the Linga. The Linga remained there as Ekambaresvara. She remained there as Kamakshi for the welfare of the world.
Parvati ever dwells with Siva as His Sakti. She is the Divine Mother of this universe. She sheds wisdom and grace on Her devotees and makes them attain union with Her Lord. Salutations to Parvati and Siva, the real Parents of all beings.
Posted by: Mr. Hasya Brahma At: 18, May 2006 9:44:30 AM IST
Siva and Sakti
Sakti Tattva is really the negative aspect of the Siva Tattva. Though they are spoken of separately they are really one. Sakti Tattva is the will of Siva.
Ambal, Ambika, Gauri, Jnanambika, Durga, Kali, Rajesvari, Tripurasundari are all other names for Sakti. Sakti is Herself pure, blissful consciousness and is nature itself born of the creative play of Her thought. This Sakti cult is the conception of God as the Universal Mother.
Sakti is spoken of as Mother, because that is the aspect of the Supreme in which She is regarded as the genetrix and nourisher of the universe. But God is neither male nor female. He is named according to the body in which He is manifested.
Hinduism is the only religion in the world which has emphasised much the motherhood of God. The Devi-Sukta appears in the tenth Mandala of the Rig-Veda. It was revealed by Bak, the daughter of Maharshi Ambrin. In this Rigvedic hymn addressed to the Divine Mother, Bak speaks of her realisation of God as Mother who pervades the whole universe. In Bengal, Mother-worship is very prevalent. ‘Ma’ is always on the lips of every Bengali.
Siva and Sakti are essentially one. It is said in the very first verse of Kalidasa’s Raghuvamsa that Sakti and Siva stand to each other in the same relationship as the word and its meaning. Just as heat and fire are inseparable, so Sakti and Siva are inseparable. Lord Siva cannot do anything without Sakti. This is emphasised by Sri Sankaracharya in the first verse of Saundarya Lahari.
Sakti is like the snake with motion. Siva is like the motionless snake. Waveless ocean is Siva. Ocean with waves is Sakti. The transcendental Supreme Being is Siva. The manifested, immanent aspect of the Supreme is Sakti. Siva is attributeless. He is Nishkriya. Sakti is with attributes. She creates. Sakti is compared to a rope made up of tricoloured threads.
Mother Kali dances on the breast of Siva. She has terrible form but She is not really terrible. She is all-merciful and gentle. She wears a garland made up of the skulls. What does this mean? She wears the heads of Her devotees. How loving and affectionate She is to Her devotees!
Kali is the Divine Mother. She is the Sakti or power of Lord Siva. She is the dynamic aspect of Siva. Siva is the static aspect. Lord Siva is like a dead corpse. What does this signify? He is absolutely calm, motionless, breathless, with His eyes closed in Samadhi. He is actionless, changeless. He is untouched by the cosmic play or Lila that is eternally going on, on His breast.
He is absolutely dead to the world. He is beyond the three Gunas. There is no duality, no plurality, no relativity, no differentiation between subject and object, no distinction, no difference, no Triputi, no Dvandvas, no Raga-Dvesha, no good and evil in Him. He is ever pure, Nirlipta (unattached). And yet He is the source, substratum, support, first cause for this universe. He simply gazes. Sakti is vitalised. She works and creates. In His mere presence Sakti keeps up the play of this universe or Lila. The whole world is a mere vibration or Spandana in Him. He is superconscious and yet He has cosmic consciousness. He constitutes all the names and forms and yet He is above all names and forms. This is a great marvel and a supreme mystery which cannot be comprehended by the finite intellect.
Without Siva, Sakti has no existence and without Sakti, Siva has no expression. It is through Sakti that the Impersonal Supreme Being Siva or Nirguna Brahman becomes the Personal Being or Saguna Brahman. Siva or Nirguna Brahman becomes the Personal Being or Saguna Brahman. Siva is the Soul of Durga or Kali. Durga or Kali is identical with Siva. Siva is Satchidananda. Durga or Kali is Satchidananda Mayi. Siva and Sakti are one and neither is higher than the other. Sakti is Chit, Chidrupini, Chinmatra Rupini.
Posted by: Mr. Hasya Brahma At: 18, May 2006 9:43:41 AM IST
Shiva and Shakti
That eternal immutable existence which transcends the turiya and all other states is the unconditioned Absolute, the supreme Brahman or Para-brahman, without Prakriti (nishkala) or Her attributes (nir-guna), which, as being the inner self and knowing subject, can never be the object of cognition, and is to be apprehended only through yoga by the realization of the Self (atmajñana), which It is. For as it is said, "Spirit can alone know Spirit." Being beyond mind, speech, and without name, the Brahman was called "Tat," "That," and then "Tat Sat," "That which is." For the sun, moon, and stars, and all visible things, what are they but a glimpse of light caught from "That" (Tat)?
Brahman is both nishkala and sakala. Kala is Prakriti. The nishkala Brahman or Para-brahman is the Tat, when thought of as without Prakriti (prakriteranya). It is called sakala when with Prakriti. As the substance of Prakriti is the three gunas It is then su-guna, as in the previous state It was nir-guna. Though in the latter state It is thought of as without Shakti, yet (making accommodation to human speech) in It potentially exists Shakti, Its power and the whole universe produced by It. To say, however, that the Shakti exists in the Brahman is but a form of speech, since It and Shakti are, in fact, one, and Shakti is eternal (Anadi-rupa). She is Brahma-rupa and both vi-guna (nir-guna) and sa-guna; the Chaitanya-rupini-Devi, who manifests all bhuta. She is the Ananda-rupini-Devi, by whom the Brahman manifests Itself, and who, to use the words of the Sarada, pervades the universe as does oil the sesamum seed.
In the beginning the Nishkala Brahman alone existed. In the beginning there was the One. It willed and became many. Ahab bahu syam – "may I be many." In such manifestation of Shakti the Brahman is known as the lower (apara) or manifested Brahman, who, as the subject of worship, is meditated upon with attributes. And, in fact, to the mind and sense of the embodied spirit (jiva) the Brahman has body and form. It is embodied in the forms of all Devas and Devils, and in the worshipper himself. Its form is that of the universe, and of all things and beings therein.
As Shruti says: "He saw" (Sa aikshata, aham bahu syam prajayeya). "He thought to Himself may I be many." "Sa aikshaya" was itself a manifestation of Shakti, the Para-mapurva-nirvana shakti, or Brahman as Shakti. From the Brahman, with Shakti (Para-shakti-maya) issued Nada (Shiva-Shakti as the "Word" or "Sound" ), and from Nada, Vindu appeared. Kalicharana in his commentary on the Shatchakra-nirupana says that Shiva and Nirvana Shakti bound by a mayik bond and covering, should be thought of as existing in the form of Parang Vindu.
The Sarada says: Sachchidananda vibhavat sakalat parameshvarat asichchhaktistato nado, nadad vindu-samudbhavah ("From Parameshvara vested with the wealth of sachchidananda and with Prakriti (sakala) issued Shakti; from Shakti came Nada and from Nada was born Vindu" ). The state of subtle body which is known as Kama-kala is the mula of mantra. The term mula-mantratmika, when applied to the Devi, refers to this subtle body of Hers known as the Kama-kala. The Tantra also speaks of three Vindus, namely Shiva-maya, Shakti-maya, and Shiva-shakti-maya.
The Parang-vindu is represented as a circle, the centre of which is the brahma-pada, or place of Brahman, wherein are Prakriti-Purusha, the circumference of which is encircling maya. It is on the crescent of nirvana-kala, the seventeenth, which is again in that of ama-kala, the sixteenth digit (referred to in the text) of the moon-circle (Chandramandala), which circle is situate above the Sun-Circle (Suryyamandala), the Guru and the hangsah, which are in the pericarp of the thousand-petalled lotus (sahasrarapadma). Next to the Vindu is the fiery Bodhini, or Nibodhika (v. post). The Vindu, with the Nirvana-kala, Nibodhika, and Ama-kala, are situated in the lightning-like inverted triangle known as "A, Ka, Tha," and which is so called because at its apex is A; at its right base is Za; and at its left base Tha. It is made up of forty-eight letters (matrika): the sixteen vowels running from A to Ka; sixteen consonants of the ka-varga and other groups running from A to Ka; and the remaining sixteen from Ka to Tha. Inside are the remaining letters (matrika), ha, la(second), and ksha. As the substance of Devi is matrika (matrika-mayi) the triangle represents the "Word" of all that exists. The triangle is itself encircled by the Chandramandala. The Vindu is symbolically described as being like a grain of gram (chanaka), which under its encircling sheath contains a divided seed. This Parang-vindu is Prakriti-Purusha, Shiva-Shakti. It is known as the Shabda-Brahman (the Sound Brahman), or Aparabrahman. A polarization of the two Shiva and Shakti Tattvas then takes place in Parashaktimaya. The Devi becomes Unmukhi. Her face turns towards Shiva. There is an unfolding which bursts the encircling shell of Maya, and creation then takes place by division of Shiva and Shakti or of "Hang" and "Sah." The Sarada says: "The Devataparashaktimaya is again Itself divided, such divisions being known as Vindu, Vaja, and Nada. Vindu is of the nature of Nada or Shiva, and Vaja of Shakti, and Nada has been said to be the relation of these two by those who are versed in all the Agamas." The Sarada says that before the bursting of the shell enclosing the brahma-pada, which, together with its defining circumference, constitute the Shabda-brahman, an indistinct sound arose (avyaktatmaravobhavat). This avyaktanada is both the first and the last state of Nada, according as it is viewed from the standpoint of evolution or involution. For Nada, as Raghava-bhatta says, exists in three states. In Nada are the guna (sattva, rajas, and tamas), which form the substance of Prakriti, which with Shiva It is. When tamo-guna predominates Nada is merely an indistinct or unmanifested (dhvanyat – mako’vykta-nadah) sound in the nature of dhvani. In this state, in which it is a phase of Avyaktanada, it is called Nibodhika, or Bodhini. It is Nada when rajoguna is in the ascendant, when there is a sound in which there is something like a connected or combined disposition of the letters. When the sattva-guna preponderates Nada assumes the form of Vindu. The action of rajas on tamas is to veil. Its own independent action effects an arrangement which is only perfected by the emergence of the essentially manifesting sattvika guna set into play by it. Nada, Vindu, and Nibodhika, and the Shakti, of which they are the specific manifestation, are said to be in the form of Sun, Moon, and Fire respectively. Jñana (spiritual wisdom) is spoken of as fire as it burns up all actions, and the tamoguna is associated with it. For when the effect of cause and effect of action are really known, then action ceases. Ichchha is the Moon. The Moon contains the sixteenth digit, the Ama-kala with its nectar, which neither increases nor decays, and Ichchha, or will, is the eternal precursor of creation. Kriya is like the Sun, for as the Sun by its light makes all things visible, so unless there is action and striving there cannot be realization or manifestation. As the Gita sways: "As one Sun makes manifest all the loka."
The Shabda-Brahman manifests Itself in a triad of energies – knowledge (jñanashakti), will (ichchha-shakti), and action (kriya-shakti), associated with the three gunas of Prakriti, tamas, sattva, and rajas. From the Parang-Vindu, who is both vindvat-maka and kalatma – i.e., Shakti – issued Raudri, Rudra, and his Shakti, whose forms are fire (vahni), and whose activity is knowledge (jñana); Vama, and Vishnu and his Shakti, whose form is the sun, and whose activity is kriya (action): and Jyeshtha and Brahma and his Shakti, whose form is the Moon and whose activity is desire. The Vamakeshvara Tantra says that Tri-pura is threefold, as Brahma, Vishnu, and Isha; and as the energies desire, wisdom, and action, the energy of will when Brahman would create; the energy of wisdom when She reminds Him, saying "Let this be thus" ; and when, thus knowing, He acts, She becomes the energy of action. The Devi is thus Ichchha-shakti-jñana-shakti-kriya-shakti-svaru-pini.
Para-shiva exists as a septenary under the form, firstly, of Shambhu, who is the associate of time (kala-bandhu). From Him issues Sada-shiva, Who pervades and manifests all things, and then come Ishana and the triad, Rudra, Vishnu, and Brahma, each with their respective Shakti (without whom they avail nothing) separately and particularly associated with the gunas, tamas, sattva and rajas. Of these Devas, the last triad, together with Ishana, and Sada-shiva, are the five Shivas who are collectively known as the Maha-preta, whose vija is "Hsauh." Of the Maha-preta, it is said that the last four form the support, and the fifth the seat, of the bed on which the Devi is united with Parama-shiva, in the room of chintamani stone, on the jewelled island clad with clumps of kadamba and heavenly trees set in the ocean of Ambrosia.
Shiva is variously addressed in this work as Shambhu, Sada-shiva, Shankara, Maheshvara, etc., names which indicate particular states, qualities, and manifestations of the One in its descent towards the many; for there are many Rudras. Thus Sada-shiva indicates the predominance of the sattva-guna. His names are many, 1,008 being given in the sixty-ninth chapter of the Shiva Purana, and in the seventeenth chapter of the Anushasana Parvan of the Mahabharata.
Shakti is both maya, that by which the Brahman creating the universe is able to make Itself appear to be different from what It really is, and mula-prakriti, or the unmanifested (avyakta) state of that which, when manifest, is the universe of name and form. It is the primary so called "material cause," consisting of the equipoise of the triad of guna or "qualities" which are sattva (that which manifests) rajas (that which acts), tamas (that which veils and produces inertia). The three gunas represent Nature as the revelation of spirit, Nature as the passage of descent from spirit to matter, or of ascent from matter to spirit, and Nature as the dense veil of spirit. The Devi is thus guna-nidhi ("treasure-house of guna" ). Mula-prakriti is the womb into which Brahman casts the seed from which all things are born. The womb thrills to the movement of the essentially active rajo-guna. The equilibrium of the triad is destroyed, and the guna, now in varied combinations, evolve under the illumination of Shiva (chit), the universe which is ruled by Maheshvara and Maheshvari. The dual principles of Shiva and Shakti, which are in such dual form the product of the polarity manifested in Parashakti-maya, pervade the whole universe, and are present in man in the Svayambhu-Linga of the muladhara and the Devi Kundalini, who, in serpent form, encircles it. The Shabda-Brahman assumes in the body of man the form of the Devi Kundalini, and as such is in all prani (breathing creatures), and in the shape of letters appears in prose and verse. Kundala means coiled. Hence Kundalini, whose form is that of a coiled serpent, means that which is coiled. She is the luminous vital energy (jiva-shakti) which manifests as prana, She sleeps in the muladhara, and has three and a half coils corresponding in number with the three and a half vindus of which the Kubjika Tantra speaks. When after closing the ears the sound of Her hissing is not heard death approaches.
From the first avyakta creation issued the second mahat, with its three guna distinctly manifested. Thence sprung the third creation ahangkara (selfhood), which is of threefold form – vaikarika, or pure sattvika ahangkara; the taijasa, or rajasika ahangkara; and the tamasika, or bhutadika ahangkara. The latter is the origin of the subtle essences (tan-matra) of the Tattvas, ether, air, fire, water, earth, associated with sound, touch, sight, taste and smell, and with the colours – pure transparency, shyama, red, white, and yellow. There is some difference in the schools as to that which each of the three forms produces, but from such threefold form of Ahang-kara issue the indriya ("senses"), and the Devas Dik, Vata, Arka, Prachetas, Vahni, Indra, Upendra, Mitra, and the Ashvins. The vaikarika, taijasa, and bhutadika are the fourth, fifth, and sixth creations, which are known as prakrita, or appertaining to Prakriti. The rest, which are products of these, such as the vegetable world with its upward life current, animals with horizontal life current, and bhuta, preta and the like, whose life current tends downward, constitute the vaikrita creation, the two being known as the kaumara creation.
The Goddess (Devi) is the great Shakti. She is Maya, for of Her the maya which produces the sangsara is. As Lord of Maya She is Mahamaya. Devi is a-vidya (nescience) because She binds and vidya (knowledge) because She liberates and destroys the sangsara. She is Prakriti, and as existing before creation is the Adya (primordial) Shakti. Devi is the vachaka-shakti, the manifestation of chit in Prakriti, and the vachya-shakti, or Chit itself. The Atma should be contemplated as Devi. Shakti or Devi is thus the Brahman revealed in Its mother aspect (shri-mata) as Creatrix and Nourisher of the worlds. Kali says of Herself in Yogini Tantra "Sachchidananda-rupaham brahmaivaham sphurat-prab-ham." So the Devi is described with attributes both of the qualified Brahman; and (since that Brahman is but the manifestation of the Absolute) She is also addressed with epithets, which denote the unconditioned Brahman. She is the great Mother (Ambika) sprung from the sacrificial hearth of the fire of the Grand Consciousness (chit); decked with the Sun and Moon; Lalita, "She who plays"; whose play is world-play; whose eyes playing like fish in the beauteous waters of her Divine face, open and shut with the appearance and disappearance of countless worlds now illuminated by her light now wrapped in her terrible darkness.
The Devi, as Para-brahman, is beyond all form and guna. The forms of the Mother of the Universe are threefold. There is first the Supreme (para) form, of which, as the Vishnu-yamala says, "none know." There is next her subtle (sukshma) form, which consists of mantra. But as the mind cannot easily settle itself upon that which is formless, She appears as the subject of contemplation in Her third, or gross (sthula), or physical form, with hands and feet and the like as celebrated in the Devi-stotra of the Puranas and Tantras. Devi, who as Prakriti is the source of Brahma, Vishnu, and Mahesh-vara, has both male and female forms. But it is in Her female forms that She is chiefly contemplated. For though existing in all things, in a peculiar sense female beings are parts of Her. The Great Mother, who exists in the form of all Tantras and all Yantras, is, as the Lalita says, the "unsullied treasure-house of beauty" ; the Sapphire Devi, whose slender waist, bending beneath the burden of the ripe fruit of her breasts, swells into jewelled hips heavy with the promise of infinite maternities.
As the Mahadevi She exists in all forms as Sarasvati, Lakshmi, Gayatri, Durga, Tripura-sundari, Anna-purna, and all the Devi who are avatara of the Brahman.
Devi, as Sati, Uma, Parvvati, and Gauri, is spouse of Shiva. It was as Sati prior to Daksha’s sacrifice (daksha-yajna) that the Devi manifested Herself to Shiva in the ten celebrated forms known as the dasha-mahavidya referred to in the text – Kali, Bagala, Chhinnamasta, Bhuvaneshvari, Matangini, Shodashi, Dhumavati, Tripura-sundari, Tara, and Bhairavi. When, at the Daksha-yajna She yielded up her life in shame and sorrow at the treatment accorded by her father to Her Husband, Shiva took away the body, and, ever bearing it with Him, remained wholly distraught and spent with grief. To save the world from the forces of evil which arose and grew with the withdrawal of His Divine control, Vishnu with His discus (chakra) cut the dead body of Sati, which Shiva bore, into fifty-one fragments, which fell to earth at the places thereafter known as the fifty-one maha-pitha-sthana (referred to in the text), where Devi, with Her Bhairava, is worshipped under various names.
Besides the forms of the Devi in the brahmanda there is Her subtle form called Kundalini in the body (pindanda). These are but some only of Her endless forms. She is seen as one and as many, as it were, but one moon reflected in countless waters. She exists, too, in all animals and inorganic things, since the universe with all its beauties is, as the Devi Purana says, but a part of Her. All this diversity of form is but the infinite manifestations of the flowering beauty of the One Supreme Life, a doctrine which is nowhere else taught with greater wealth of illustration than in the Shakta Shastras, and Tantras. The great Bharga in the bright Sun and all Devatas, and, indeed, all life and being, are wonderful, and are worshipful, but only as Her manifestations. And he who worships them otherwise is, in the words of the great Devi-bhagavata, "like unto a man who, with the light of a clear lamp in his hands, yet falls into some waterless and terrible well." The highest worship for which the sadhaka is qualified (adhikari) only after external worship and that internal form known as sadhara, is described as niradhara. Therein Pure Intelligence is the Supreme Shakti who is worshipped as the Very Self, the Witness freed of the glamour of the manifold Universe. By one’s own direct experience of Maheshvari as the Self She is with reverence made the object of that worship which leads to liberation.
Posted by: Mr. Hasya Brahma At: 18, May 2006 9:37:31 AM IST
very intersting info bhuvaneswar garu.devi strotamlo ayi giri nandini bauntundi.adi e rukkulo undi?evarina telsite chepandi pls.
Posted by: Mrs. Usha Rani At: 18, May 2006 6:03:43 AM IST
Vak Ambhrani and Vagdevi are different manifestations.
Devi Sukta
This hymn, though the name vac does not appear in it, is the most magnificent chant to this feminine principle, the devi of the supreme power, which later on would be known under the name of shakti.
Vac was before all creation, preexisting before any being came to be. It was she who initiated the creative process. The first two stanzas require a total immersion into the Vedic world in order for their full meaning to be grasped. With a beauty of their own, they say in solemn cadences that the Word is not only the First of the whole Vedic pantheon, but that she has a unique place, for her nature is not to be compared with that of any other being, whether created or uncreated.
The Word is not only an integral part of the sacrifice; she is also the Queen who commands homage in every sphere and who, expressing herself under different forms, remains essentially the unique Word that preserves the unity of all worship. Vac is the lifegiving principle within all beings, even if they do not recognize this fact; she is the wind, the breath of life. She is the mother, attentive to the needs of both Gods and Men. She bestows her gifts and favors graciously and freely. She, existing from all eternity, reveals the Father and for the sake of creatures "begets" him who otherwise would remain utterly disconnected and nonexistent.
Devi Sukta
RV X, 125
1. I move with the Rudras and also with the Vasus,
I move with the Adityas and all the Gods.
I support both Mitra and Varuna,
Indra and Agni and the two Ashvins.
2. I uphold Soma the exuberant;
I uphold Tvastar, Pusan, and Bhaga.
I pour wealth on the offerer of oblation,
the worshiper and the pious presser of Soma.
3. I am the ruling Queen, the amasser of treasures,
full of wisdom, first of those worthy of worship.
In various places the divine powers have set me.
I enter many homes and take numerous forms.
4. The man who sees, who breathes, who hears words spoken,
obtains his nourishment through me alone.
Unrecognizing me, he yet dwells in me.
Listen, you who know! What I say is worthy of belief.
5. It is I myself who announce and utter the tidings
that Gods and men alike rejoice to hear.
The man I love I make increase in strength.
I make him a priest, a sage, or a learned seer.
6. It is I who draw the mighty bow of the God,
that an arrow may pierce the hater of the Holy Word.
Among the people I arouse the struggle
and I have permeated Earth and Heaven.
7. At the world's summit I bring forth the Father.
My origin is in the Waters, in the ocean.
Thence I am spread through all existing worlds
and even touch the heaven with my forehead.
8. I breathe out strongly like the wind while clasping
unto myself all worlds, all things that are.
I tower above the earth, above the heavens,
so mighty am I in my power and splendor!
http://www.himalayanacademy.com/resources/books/vedic_experience/Part1/VEPartIChB.html
Posted by: Mr. Bhuvaneswar Challa At: 17, May 2006 9:40:57 PM IST
Vak ambhrani is a divine manifestation of Durga devi.Durga devi is also known as Rudrani wife of Rudra. Her attributes can be described in my number of ways. Devi sukta is a hymn of eight verses found in the most ancient Hindu sacred text, the Rig Veda in the 10th mandala.
Devi suktam (RV 10.125) declares that the Goddess is the power expressed through all the gods, that they are united in her who shines with consciousness, that her presence is all-pervading, that she supports all of creation, that she is the source of righteousness and the revealer of truth, that she is the source of all worlds, yet that she shines transcendent beyond them. Among Shaktas this Vedic hymn is held in high esteem and is considered to be the source from which the entire Chandi sprang.
How Goddess Durga herself was created is an interesting story
"Having heard of the misdeeds of the demons, pure energy blazed forth from Brahma, Vishnu and Shiva - the trinity forming the pure energy of Godhood. As the gods witnessed this fiery crest of energy pervading all the directions and blazing forth like a mountain peak aflame with the sun, this matchless energy that sprang from the bodies of all the gods, its light illuminating the three worlds, became concentrated in one spot and took form of the Goddess. Her face was from the light of Shiva. Her ten arms were from Lord Vishnu. Her feet were from Lord Brahma. The tresses were formed from the light of Yama (god of death) and the two breasts were formed from the light of Somanath (Moon God), the waist from the light of Indra (the king of gods), the legs and thighs from the light of Varun (god of oceans), and hips from the light of Bhoodev (Earth), the toes from the light of Surya (Sun God), fingers of the hand from the light of the Vasus (the children of Goddess river Ganga) and nose from the light of Kuber (the keeper of wealth for the Gods). The teeth were formed from the light of Prajapati (the lord of creatures), the Triad of her eyes was born from the light of Agni (Fire God), the eyebrows from the two Sandhyas (sunrise and sunset), the ears from the light of Vayu (god of Wind). Thus from the energy of these gods, as well as from many other gods, was formed the goddess Durga.
The gods then gifted the goddess with their weapons and ther divine objects to help her in her battle with the demon, Mahishasura. Lord Shiva gave her a trident while Lord Vishnu gave her a disc. Varuna, gave her a conch and noose, and Agni gave her a spear. From Vayu, she received arrows. Indra, gave her a thunderbolt, and the gift of his white-skinned elephant Airavata was a bell. From Yama, she received a sword and shield and from Vishwakarma (god of Architecture), an axe and armor. The god of mountains, Himavat gifted her with jewels and a lion to ride on. Durga was also given many other precious and magical gifts, new clothing, and a garland of immortal lotuses for her head and breasts.
The beautiful Durga, bedecked in jewels and golden armor and equipped with the fearsome weaponry of the gods, was ready to engage in battle with the fierce and cruel Mahishasura. "
The translation is available at, http://www.orbcity.com/shrividya/suktam.htm
Posted by: Mr. Bhuvaneswar Challa At: 17, May 2006 8:42:57 PM IST
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